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Paramedics on the film set of "Samantha's Child" were unable to revive him, Nelson said.

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Marshall, Texas, banned the film, but the town’s film censoring ordinance was declared unconstitutional by the U. With her lovely features, slender figure and demure manner, Crain became a leading star in the wartime and postwar years.

For faraway GI’s she seemed the ideal girl back home.

At 20th Century-Fox studio, her fan mail was second only to that of pin-up queen Betty Grable.

Cliched beginning Crain’s 1943 movie debut followed the Hollywood cliche: She appeared in a swimming suit beside a pool in the all-star “The Gang’s All Here.” She was elevated to leading roles in her next films — “Home in Indiana,” “In the Meantime, Darling,” “Winged Victory” and “State Fair,” which featured Rodgers and Hammerstein’s only original score for a movie.

More recently, she was in 1986's "Blue Velvet" and 1994's "Clear and Present Danger." Actor Don Murray, who was married to Lange for several years in the 1950s, said Lange combined good looks and acting prowess.

"She was considered a great beauty who was also a serious and dedicated actor who didn't pay attention to being glamorous," Murray said.

“Pinky” brought Crain’s only Academy Award recognition, a nomination for best actress in 1949.

It was a daring film at a time when Hollywood avoided racial controversy, about a girl who passes for white in the North but faces the bitter hatred of whites after returning to her grandmother’s home in the Deep South.

Lange starred in dozens of films and television shows and captured two Emmy awards in 19, both for lead actress in a comedy series for her role in "The Ghost and Mrs.

Muir." Her big-screen credits included "The Best of Everything" in 1959 with Joan Crawford, "The Young Lions" in 1958 with Marlon Brando and "Peyton Place" with Lana Turner.

As Camera Girl of 1942 in Long Beach, she attracted the attention of 20th Century-Fox and was given a routine studio contract. She and Brinkman spent their time at two working ranches.

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